When doing monochrome design, cartographers can only use one “ink” color, but most of us at least use various tints of that ink: basically, mixing it with the background color to create a continuous ramp of colors (e.g., greyscale) that we can use to distinguish rivers, contours, and other feature types from each other. Continuous monochrome is tough enough, but Jakob Listabarth takes the challenge even further and uses this map’s sole ink at 100% strength only. He is only able to distinguish feature types from each other using line weight, dot/dash patterns, and hachure shading. This he does excellently, and I continue to be impressed by how much information is shown, and how clearly each layer is distinguished from the others when they are all, after all, exactly the same version of magenta.
It’s not only an attractive aesthetic choice, but one that ties into the map’s subject. In the 19th century cartographers were usually likewise limited to representing features using ink lines, printed from engraved copper plates. Listabarth still puts a modern spin on things with the sans serif typography and charming (whimsical?) illustrations. It’s a lovely blending of old and new.
Together with our students of the International Master of Cartography, we visited the Otto Neurath exhibition “Sprechende Zeichen“ at the Wirtschaftsmuseum in Vienna. The exhibition is dedicated to Otto Neurath, founder of the Society and Economic Museum. Otto Neurath developed new graphics techniques during the First World War. He was a member of the philosophical Wiener Kreis and developed the Viennese method of image statisticsto present statistics in an easily understandable, visual form.
Thanks to Alenka Poplin and her students from Iowa State University for visiting our Research Division during spring break! Together with our students from the International Cartography Master program, they were introduced to the research field of emotion mapping and jointly conducted interviews in which they explored how Vienna is perceived by its inhabitants and where people find restorative places in the city.
On March 29, students of the International Master of Cartography went on a hike to Hermannskogel. The hill is the highest peak of Vienna and a geodetic fundamental point. The small exhibition at Habsburgwarte gave some insights into its history as the kilometre zero of cartographic measurements in Austria-Hungary.
We are happy to welcome 30 students of the International Master in Cartography at TU Vienna for the summer semester 2019. This intake’s students come from 19 countries: Bangladesh, China, Colombia, France, Germany, Greece, India, Iran, Italy, Kazakhstan, Nigeria, Pakistan, Philippines, Russia, Trinidad and Tobago, UK, Ukraine, USA and Zimbabwe.
After finishing their first semester at TU München, the students are now with us for their second semester, before they move to TU Dresden. We are really happy to have them here and wish them a fun & successful semester!
This year we are proud and happy to welcome 30 students from 19 different countries to the International Cartography Master program! The program’s first semester started with a welcoming week in Munich. A week full of activities and opportunities to meet & greet new students, alumni from previous intakes, and members from all four partner universities: TU München, TU Wien, TU Dresden, and UTwente.
We wish all students a great and successful time in Munich and we look forward to welcoming the students this summer term in Vienna!
Congratulations to Jakob Listabarth who successfully finished his Bachelor thesis today! His topic focused on a cartographic storytelling approach for the Sustainable Development Goal 6 “Ensure availability and sustainability of water and sanitation for all”.
He created a folder with some background information as well as 6 storymaps addressing school children. Some screenshots of his impressive work can be found here: